Assuming you haven’t seen an episode with them yet, may I suggest just ignoring the “Jiggle Butt Gang” episodes. I found them…WAY too over-the-top for this series. Otherwise, I rather like Fairy Tail.

Watched Sword Art Online about a month ago on Netflix. I really liked the first 12 episodes, but then they went a different direction. I did finish watching the rest and was satisfied with the ending, but those first dozen episodes were an emotional roller-coaster I won’t soon forget. A second season of Sword Art Online has started (but not on Netflix) and I saw the first two episodes…not impressed.

I haven’t seen Sword Art Online, but I can’t think of a single instance of a show going in a different direction being a satisfying thing. At least not right now. The biggest example that always comes to mind is the ABC show “Eli Stone”, where the first season was this happy, optimistic, fun show where George Michael keeps making repeated experiences in Eli’s visions. The show should have ended at the end of the season, but it did well, so it got renewed. And the second season was this really starkly dark show about death, and prophecy and guilt. No more George Michael. No more fun. No more optimism. No more happiness. What a weird left turn that was.

SAO’s change isn’t that drastic in the first season. Without giving too much away, when the show ‘resolves’ the beginning arc, it eliminates a key character motivation which I really, really liked.

Try Log Horizon for a slightly different take on SAO’s themes, based on the same starting premise, except that the trapped avatars can’t die. I just watched the series a month ago and really liked it, but some others thought SAO (1st season 1st arc) has a better more coherent more believable story.

Ugh log horizon.

After really liking SAO, I went to check out this similar sounding anime that seemed to want to capitalize on SAO’s fame.

The problem with log horizon mostly comes down to motivation.

SAO - Arc 1: We’re stuck in this game for a reason that is pretty well done with an interesting villain clearly behind it. If we die in the game, we die in real life. While we’re stuck in the game, we might eventually die in the real world just from people giving up and pulling us off of life support, so we can’t just do nothing forever.

SAO - Arc 2: real life reasons support doing actions in a virtual world even though the element of being stuck in the game and dying in real life if you die in the game are gone. These end in a pretty stellar way in my opinion, even if the 2nd arc isn’t quite as good as the 1st.

Log Horizon: We’re stuck in this game for some reason, but it doesn’t really mean anything and we don’t really care about it. We just respawn in game like normal. Why should we care about player killers, people dying in dungeons or anything really? Because we’re elite MC Raiders and you should be a good person in game!

The writing was also worse in Log Horizon I felt, particularly the characters. I played wow for many years, but you can’t just portray your characters as the log horizon version of elitest jerks and have that be enough to be interesting. There is no emotional attachment.

I’ve read the manga of a couple other stories dealing with virtual games and I was really surprised to watch log horizon and find out there was no connection between the virtual world and the real world. Every other one has some form of connection either directly (die in game, die in real life) or indirectly (you need to do x in game or Y happens in real life). This is the primary reason I couldn’t care about anything going on in log horizon.

To be fair, I did stop watching Log Horizon after the 6th episode.

Log Horizon does have a death penalty and it’s way more interesting that that tired old die in the game die in real life trope

death penalty

every time you die you lose some of your memories from the real world

I also really like Log Horizon and the motivations, it’s a group of people not only trying to find there way home and figure out what’s going on, but trying to discern the rules of the word they are now in and to build a functional society while they are there.

Actually, In Log Horizon the lead character figures ways to change the rules. I really like this one.

What’s good this season? Not a lot

Gekkan Shoujo Nozaki-kun as a funny comedy.
Barakamon as a SoL/comedy with a tender side.
Space Dandy is having finally some decent episodes.
JoJo 3rd season is underwhelming.
Aldnoah Zero is really mediocre.
Terror in Resonance is really clichéd.
Tokyo Ghoul is… I already dropped it.

Oh you are talking of Log Horizon? Funny the other day I wrote this about it!

I’m watching an absurd number of shows this season and honestly have trouble outright recommending more than a couple of them. Those two are Gekkan Shoujo Nozaki-kun and Barakamon. Least favorite ones are currently Tokyo Ghoul and Terror in Resonance, but they each get another week from me.

Everything else I’m watching is hard to recommend either because it has extremely niche appeal or still has a verdict out on it in terms of potential quality.

Nothing much.

Sword Art Online season 2: if you liked the first one.
Mahouka Koukou no Rettousei: Continues from last season and is still pretty good. The anime adaption while not terrible is also not great though.

If you like magical girl anime, specifically sailormoon, there is a new one of those. My friend is excited for that, but i’m not really in to that.

I’ve still been meaning to check out Tokyo Ghoul, but haven’t yet.

I guess I’m easier to please because I’m watching (and enjoying!) a ton of shows this season.

Aldnoah.Zero: Not sure why someone wouldn’t like this? Me and my daughter love it.
Akame ga Kill: The mood reminds me of FMA, with the wacky humor juxtaposed against a dark story. A bit fanservice-y, but I have no problem with that. Production values are very high.
Sword Art Online 2: I’ve read all the light novels, so I’m obviously a fan. This arc is better than the Fairy Dance arc (although I’m one of the people who had no problem with that arc).
Serei Tsukai no Blade Dance: At first it seemed like it was going to be a generic fan-service harem show, and reminded me too much of Familiar of Zero. However, the most recent episode started kicking in the plot and had me interested enough to seek out the source material and read further.
Ao Haru Ride (Blue Spring Ride): I understand shojo romances are an acquired taste, but if you like them, this one is great so far.
Gekkan Shojo Nozaki-kun, Sabagebu!: Two of the funniest shows I’ve seen, ever.
Locodol: Silly, funny.
Rokujouma no Shinryakusha!: Silly, funny.
Hanayamata: Silly, funny.
Glasslip: The only one I started that I’ve outright given up on for now. Should be called Ambien: the Anime

Watched Noragami over the last week or so. It gets a resounding “meh” from me. I agree with Otagan that the middle was weak, but I didn’t get the same satisfaction from the rest. On the upside, it’s very pretty, has minimal fan service, and the world they’ve built is interesting. But Yukino is just a horrible character that I hated almost from the moment he entered, and those middle episodes dragging on and on and on did not help. Plus they did a lot of introduction of potentially interesting points which were then left unfinished…Bishamon vs Yato, history between Yato and Rabo, pretty much everything about Nora, background on the other gods, etc, etc. I might have enjoyed it more if there was more that addressed some of those points (plus it would dilute the Yukino crud), but as it is, I’m happy to see it end.

I liked Noragami: fun mix of action & comedy with some unique twists on the “modern urban fantasy” subgenre. I was fine with Yukine’s arc because, well, he’s a dead kid who has to accept he’s been cheated out of a normal life and that he needs to move on with his afterlife; it’s understandable it takes him a while to stop lashing out and sort out all his anger, grief, etc. That said, why isn’t Nora more prominent when her name makes up half the title?

It is said during the anime that Nora’s name (野良) basically means ‘stray’ (although popping it into Google translate comes up with ‘rural’, so it’s either a different reading of the kanji (as is typical with names) or some sort of colloquialism). Anyhow, with that information, the title of the anime becomes ‘stray god(s)’

Further research indicates that 野良 used in compounds means ‘stray’, i.e. 野良猫 (のらねこ, noraneko, “stray cat; alley cat”).

So the title definitely has nothing to do with that character in particular, but instead refers to Our Hero.

Ok, so this is probably partially it depends which you watch first thing, but good god the writing in SOA is not better than Log Horizon. I’m on episode 19 of SOA and it’s a struggle to continue with this series at times whereas I marathoned Log Horizon pretty quickly. And characters? SOA has NONE! There’s Kirito (barely a character), some random love interests including his cousin/sister, and then just random guys who turn up every 5 episodes or so that we are supposed to somehow identify as characters. It feels a lot more disjointed than LH as well, with frequent time skips. I also am suprised you complain about the PKers in LH when they make even less sense in SOA’s first arc, where there’s a whole guild of them for some unknown reason…

I haven’t watched Log Horizon, but I wonder if you have ever played an MMO, particularly in the era of Everquest. I felt that the assassin guild in the first arc of SAO made sense because out of the 7500 or so people left, you are going to have people that end up craving power and the easiest way to do that is through fear. It may be that their minds couldn’t handle their new situation or they don’t believe that anyone dies in the real world if their avatar is killed in the game. They are still technically anonymous and many people will do and say extreme things when they believe there won’t be any consequences. I found the assassin guild formation to be very plausible in that first arc. People can become assholes in MMORPGs just because they can (to varying degrees). Its a big reason why I dislike PvP servers/games.

Log Horizon has a bad guy guild as well, but in that universe it makes more sense than in SOA where it is outlined to be actual murder and they never did a good job in that part of the series of showing the actual rewards to being a PK. In LH the death penalty isn’t exactly clear at first and is something they only determine over time, even if you don’t believe you are actually killing someone in SOA it’s pretty clear that even if it’s only a game it’s permadeath as no one ever respawns.

Speaking of which the show totally botches a Chekhov’s Gun they setup early on with the 10 second revive item that Kirito gives one of the other players, as it never comes into play later and seemed like the perfect thing to make an appearance in that final boss fight. Though apparently I guess he uses it in the manga right after getting it.