Is Planetes available on any legit streaming services?

No Rock! Watch SAC! It really is that good.

Recently watched My Hero Academia, and have started on Knights of Sindodia. My hero was fun, and about what I expected, though some of the common drama up tropes annoyed me. Knights in 2 episodes in, so can’t say much yet, other than you guys watch way more than I ever can ;)

Knocked out another 3:

The Ancient Magus’ Bride was a series that always piqued my interest and I would have read the manga if I wasn’t already following a bunch of other series. Heard good things about the anime and it was pretty good for the most part, though I was somewhat disappointed. It kinda felt like a homeschooled Harry Potter, except more serious and melancholy. The first season felt like it was mostly worldbuilding. I thought the plot was going to pick up once a villain was introduced, but that fizzled out quickly. The characters of Chise and Elias and their relationship with each other was the most intriguing aspect for me. It had some gorgeous imagery and music, but by the end of the first season it felt like the show spun its wheels a bit. I still enjoyed it enough to give season 2 a shot. Now that the world and characters have been established, I hope there is more of a narrative next season.

I watched Konosuba season one and am working through the second now. Looks like I missed the love for it upthread, started watching this one on a whim and really enjoyed it. I wonder if the creator is a fan of the Rance series. The girls feel like they fell out of one of those games, and Kazuma’s green outfit gives the same vibe. Anyway, I watched this one on a whim since the concept seemed interesting and found the first season to be really funny. Such a great cast of characters. The voice actors really give it their all and their energy is infectious.

Miss Kobayashi’s Dragon Maid ended up being fantastic. Just a very amusing and lighthearted show. It took an episode or two to really get into it, but it felt like it got progressively more enjoyable with each episode. I loved the Kanna character the most, she was just nonstop adorable and had a wide-eyed amazement to everything. Lots of reoccurring gags, but they still made me laugh every time. The ending was pretty heartfelt as well. All in all it was a satisfying show and is my second favorite from 2017 after Made in Abyss. I’d like another season, but the first could stand on its own as the full series.

You don’t have to argue, both Planetes and GITS SAC are in my recommended list.

Maid Dragon is one of my favorite new shows in a long time. I had already been reading and enjoying the manga long before the anime came out, but I was still impressed by how damn good the adaptation was. Kanna eating anything and everything is the best.

It’s the power of Kyoto Animation at work. Looking forward to Violet Evergarden this season, as well.

The sheer volume of anime output amazes me. How do they air this in Japan? Is it spread across several channels, competing for views? Or is it all primarily on one or two channels that show nothing but new anime shows all the time? What’s the media landscape over there, does anyone know?

I mean, think about how many TV shows are produced in the US every year. They do more animation than we do because it’s more respected as an art form for adults as well as children, but I don’t think the output is that disproportionate.

Yeah, but take the U.S. The media landscape here has changed quite a bit. If you looked at most of the big new shows coming out every year, it’s across so many channels and streaming services now. I was just wondering if it’s like that in Japan too now, if it’s more concentrated, or if it’s different altogether.

Even if you restrict to just really good shows, in the U.S., new shows come out on AMC, Discovery, Netflix, Hulu, ABC, CBS, NBC, PBS, CW, Amazon, HBO, Showtime, A&E, USA, SyFy, etc.

To an extent. Japan’s fiction production is quite extreme on some genres and certainly dwarfs that of European countries (the US is a different case since a lot of it’s media is meant for international consumption, but Japanese media, like that of EU countries, seems focused mostly towards local audiences).

Manga is perhaps the extreme. In 2007, 100k new serialized comic pages were published per month in magazines (graphic novels, or manga published directly as a whole volume, were not counted in this, this is just new, serialized comic pages. That number is likely about 110k pages per month now, looking at the trend. (at peak, the US probably never topped 20k new monthly serialized comic pages). And this is all intended for local consumption.

I found this entry in Wikipedia:

Pretty interesting stuff. But it looks like it was written in 2009. I wonder if things have changed a lot since then? Certainly the U.S. media landscape was quite different in 2009 compared to today.

I did some more research. There were about 200 anime series airing last year .

US produced about 450 scripted TV seasons last year.

So if you add non anime scripted Japanese series we are looking at probably 50% of US production going by numbers (maybe more, but I have no idea).

Japanese anime shows are shorter (generally 1 season of 12-13 episodes) and more reliant on the hardcore fanbase to pick up discs after the fact to become profitable.

Most of them are aired late at night in the Midnight-3AM block as well, so it’s possible to live in Japan for years and rarely catch anime on TV (aside from the mega hits like DBZ . One Piece, and Naruto)

Love is Like after the Rain - 1

It surprised me how good it looks, and the direction was also very competent, capturing the vibe of the genre (SoL/slow romance?) perfectly. It fails, at least for now, in making you believe how she is so lovestruck by the kind but average-ish middle aged manager. Yes, they try to setup it a bit showing she is into older men, but even then…
And they don’t have a lot of chemistry, which is a pretty important part of a romance. I don’t know if the series expects you to roll with it, and that’s it.
As I said, this looks like it’s going to be a slooow romance story, so it’s better to not expect great developments. I liked how he seemed normal and not creepy with her, he treated her like a normal young coworker. Smartly, they showed he has a bit of interest in her (which is needed if eventually love will blossom) in an indirect way: with a very brief moment where he thought how nice would be young again and be in place of the boyfriend, dismissed by himself as a silly fantasy seconds later.

Violet Evergarden 01

Great visuals, only decent-ish direction (actually, this season have other series with better direction, at least the first ep), but the super high production values can’t hide the bad writing, like the stilted, artificial dialogue or the fact the story had less subtlety than a ten ton hammer.
First episode, and the series was already SCREAMING all the themes and leitmotifs. Yes, she was a WEAPON OF WAR, and she was treated like TOOL, except from the good Major who she loved, and behaved like his little puppy (really, I called that minutes before the series said so), she doesn’t value her own life and says she isn’t useful she should be DISPOSED, so the premise of the series clearly will is how she will learn to LIVE, for real, and in doing so she will learn how BROKEN she is because WAR TRAUMAS, until sweet-bitterly she will learn the meaning of LOVE, and what she LOST.

edit: oh this is from a LN? Well, it explains a lot.

Kokkoku 1

This is based on a manga with a nomination for a Taisho award, so at least it should be decent enough. 8 volumes, let’s see if they adapt everything, or they do a condensed version, or they are going to finish in a cliffhanger.
For now the first episode has intrigued me, though it’s more about supernatural powers than I thought it was. The 3d to show off the stopped time was good, and I like the more realistic non-moe character design where people are allowed to look like adults, and even look like average or ugly ones.

Devilman Crybaby

So in the end, it was good.
As I was around the middle of the series, episode 5 or so, I was wondering why the hype, as imo it wasn’t being that good. But the series redeems itself in the final arc, from episode 7 onwards. That’s where the payoff really starts, imo.
Even then, I think my attitude to Devilman Crybaby is a bit less positive than many other people. I still have the impression that it could have been better. If the series would have given two more episodes, increasing the total amount to 12, and use that extra time fleshing out the friendships between the protagonists, that way the feels in the final arc would have been even more effective. The final also had a feeling of rushedness, they seem to go from a state of paranoia and local conflict to global warfare and from there to apocalypsis in a few minutes.

Overall, I liked it, but I consider it as a minor Yuasa work, I still like Ping Pong, Kaiba, Mind Game or Tatami Galaxy better.

Maybe the fact I was half spoiled had an influence. I haven’t watched the old series/read the old manga, but by pure cultural osmosis I knew stuff like EoE end being inspired on Devilman, I think I’ve seen the final page of the manga before, in other words, I kind of knew it was going to end in global tragedy.

On the specifics, some stuff I liked

-I was debating myself if Ryo was a demon, or a celestial being… funnily enough, it was both!. Satan/Lucifer the angel that turned Devil.
-I liked small details like the small brother showing some worrying pro-Demon tendencies in the earlier chapters as setup.
-I also liked the little twist in the two secondary Devilmans, the two other runners. It seems the girl was going to turn evil and fast, and the guy on the other hand was good, but he turned coats to survive easily, and on the other hand the girl has her redemption, even if clearly she had eaten the poor rapper before.
-The end was good, with Ryo learning he too could feel, just too late. It’s like greek tragedy, in how ironic it is: precisely he needed to loss someone very important to him to learn it, but once he has lost him, well, the lesson is worthless, as he didn’t care for anyone else.
-‘I am Devilman too!’, in the comments of last blog post from Miki, was a funny moment. I thought they were other normal people who were saying it as signal of empathy with their situation. But later we see they were, literally, other Devilmans, the ones that Akira were searching for.

Which, per capita, ends up crazy high.

Everything @Ex-SWoo wrote is spot-on.
From looking at the staff rolls of recent works, it seems most of them are being produced in South Korea and Vietnam, or is that assumption wrong?

I’ll add that the Japanese TV, as a whole, has been stuck for decades into the same formulas. It can’t be compared in any way to Western channels.

I think serialized manga being so huge are in part, due to the expectations of an author (or a studio, for the smartest authors) to produce a certain amount of pages each months, like any worker, and the fact that the Japanese comics eat a huge part of what would simply be written works in other countries. The language’s influence can’t be ignored on that front.
As a side note, the digitalization of publishing has been pushed very aggressively for the last few years (it fits the weekly/monthly consumption model, after all), to the point I have found it to become harder and harder to track down recently published physical volumes if you don’t buy them near their release - you are simply expected to order them directly from the publishers, good-bye Book-Off and second hand markets.

There is a gozilla anime movie of sort that showed up on Netflix.
It’s named Godzilla.
It’s enigmatically labelled as “first part”, so I guess more is coming.
Or maybe not. I had to cut after less than an hour because it was so darn boring.
The premise was funny (I’ll leave the surprise) but…
Remember in films like Source Code, when the scientist exposes for 10 minutes how everything works and all? Well you get that for dozens and dozens of minutes. It just never seemed to stop.
Also the music (some very uninspired neoclassical stuff with arrangements you’d hear in a Final Fantasy remix CD) was kicking in at the most inappropriate moment, showing zero attention to actually trying to build something coherent.

A shoot-out at @TurinTur, because we started watching Mushi-shi as it was featured in his list, and that is one very fine series.

Mushi-shi is top stuff. :)

I’ve tried watching it a couple of times. It puts me to sleep.