Jesus, I cannot stand this guy. I watched the first twenty seconds of this trailer and had to turn off all that hubris and pomp. It looked like the cinematic equivalent of blowing his own horn, just like his Oscar speech.
According to the AV Club, he worked with Sean Lennon to get the rights to use that song.
Visually stunning alert!
I’ve now watched the whole trailer and I’ll give him grudging credit for working on such a big canvas. The scene in the airport security line reminded me of Wes Anderson or Jacques Tati’s Playtime. So, okay, I’ll give him that one shot. :)
Bardo played at the Venice Film Festival, after which he trimmed 22 minutes out of the film.
Reviews for the film have been mixed, with Variety’s chief film critic Owen Gleiberman writing, “The movie is full of good things, but it’s three hours long and mostly it’s full of itself.”
After “Bardo’s” run at Venice and Telluride, Iñárritu said he hasn’t read a review of his film. “I want to reaffirm that I have not read one single review for my healthy mental state,” he told IndieWire. “There is nobody better than me who knows all the dots that connect and how they could connect better.”
Sounds like Walter Chaw’s review will be right up your alley!
I can’t tell you how tempting it is to just re-post my review of Birdman for Alejandro G. Iñárritu’s Bardo with a neon “BUT MORE SO” flashing over it, given that I’ve already invested a full three hours in the Mexican auteur’s latest altar to unseemly false modesty.