Damn this is a tough round. This includes 4 of my top 5 remaining tracks. I mean obviously I think my picks edge the others out, but losing here would still be an honor!
Geez this is a tough round. Are you kidding me? Hardest pics yet. WHY CAN’T THEY ALL WIN!?!?!
I love Furi, but I had to give it to that Tower of Heaven track.
Ouch. This round…
I don’t know what you’re taking about, the last few picks have been easy. Trouble is too many of you keep picking the wrong ones! :p
Last minute switch from FFVI to VVVVVV for me. Both fantastic tunes. As far as the two epic sci-fi tracks go, I think Outcast’s has a much warmer and understated beauty to it than Stellaris’. Switched my Outcast vs. Cuphead vote, again, I love both but I listen to Aviary Actions loads, even since discovering Shamazaar. Voted Sword & Sworcery too over Stellaris because that Guthrie magic is glorious and unique.
@Soren_Hoglund: Frozen Synapse - A Functioning God (by Nervous Testpilot)
@lordkosc: Offworld Trading Company - Red Planet Nocturne (Composed by Christopher Tin)
Offworld Trading Company
@Otagan: Freedom Fighters - Main Theme (by Jesper Kyd)
@soondifferent: Deus Ex: Human Revolution - Icarus (Composed by Michael McCann)
Deus Ex: Human Revolution
Match 20 should totally be closed by now, but since it’s not, SOMEONE GET IN THERE AND SAVE VVVVVV FROM THE FINAL FANTASY NOSTALGIA MONSTER!!!
(Sorry, that’s uncharitable. I’m sure folks genuinely love the Final Fantasy track. I think as someone who didn’t own a Super Nintendo, the tonal range of the hardware just doesn’t work for me. I don’t like the Super Metroid soundtrack much, either.)
Speaking of which…
Nex Machina, Hollow Knight, Outcast, Final Fantasy VI, Furi, and Sword & Sworcery all advance!
Looks like Sword & Sworcery is the only wild card still in it (it was the highest-ranked, so that makes sense).
Quite an upset of #4 Cuphead by #20 Outcast!
Some tough match-ups coming up in the future, but I think this round was the really agonizing one. I bet a lot of people know how they’ll be voting on most of the future match ups, but we’ll see.
I’m not too bummed about Cuphead losing out to Outcast just because the Shamazaar theme is probably one of my favourites in the 'dome, and I hadn’t heard it before until it was submitted here.
I think I’m more bummed about Super Hexagon getting pipped by Hollow Night! I’m convinced Chipzel was on fire and melting all her gear while recording that piece and it aligns so perfectly with the struggle of stage 3. It’s charged with energy. The Hollow Night tune is just lovely though.
Kind of amazed the DX:HR Icarus theme has got this far. It’s still a big blind spot (deaf spot?) for me, and it’s looking likely to beat out Freedom Fighters which I think is a much better track still.
It’s a shame Pressure Cooker couldn’t get through but Terra’s theme is also fantastic! Going to be interesting how all this shakes out now…
@Papageno: Nex Machina - Dark Shivers ()
@Vesper: Hollow Knight - Greenpath ()
@Gordon_Cameron: Outcast - Shamazaar Theme (World of Temples) (Composed by Lennie Moore; performed by Moscow Symphony Orchestra and choir)
@CraigM: Final Fantasy VI - Terra’s Theme (Nobuo Uematsu)
Final Fantasy VI
Is this QF or SF?
QF – there are 8 tracks remaining (or at least there will be once I process the results from Friday’s matches).
A lot of the recent and upcoming match-ups are notable for the similarity of the contestants. That is definitely NOT the case for Nex Machina/Hollow Knight! And that’s what’s making it so agonizing. Nex Machina is a monster tune. As intricate as it is exhilarating, and managing both those things at every turn. And it has some great turns, though the pulse of that bass drum always comes back, pushing, squeezing you along like blood through arteries, always alive.
Hollow Knight is just as alive, but in a totally different way. It’s soft and organic. Lush. It’s not trying to win you over or carry you away. It lulls you, gets you nostalgic, hypnotizes you. The opening melody on the viola (I think–correct me if I’m wrong), chased along languidly by the clarinet, is pleasant but not entirely comforting. Eventually it disappears, like an animal in the jungle undergrowth, and we’re left with dappled glockenspiels and harp sweeps flickering like light through trees, the melody occasionally peeking its head above the greenery before it disappears again. Video games don’t often have music like this, so sensitively pitched, so warm (but not sunny), so subtle as to be insidious. I think for that reason, I have to go with Hollow Knight.
Outcast is a soundtrack I’ve adored since it was released, so this is a much easier choice to me. A few things I love about the Shamazaar theme: It feels like it uses the whole orchestra—flutes, horns, clarinet, percussion… they all get their moment. If you stripped any of them away, the composition would be much poorer for it. Secondly, while there are now a lot of games that employ a choir in their score (see Freedom Fighters and Deus Ex, in our current crop), I feel like Outcast employs the choir with much more restraint than most. The last thing I love: That crescendo at 2:10.
Terra’s Theme from Final Fantasy IV is classic video game music: A call to adventure, with marching drums, perfect for accompanying a trek across a sprawling world map. It has a rousing and charming flute melody floating over synthetic strings and that ever-present snare drum. But there’s also a fascinating “bloop” sound bubbling along, matching the rhythm of the snare, that sounds like the essence of video games. The track says: Come into this digital world and play. There’s a lot to explore.
Outcast is an easy pick for me here. But I enjoyed listening to all of these a few times through for this round of voting.
I would Like the crap out of your post if I could Nightgaunt; beautifully put.
Agreed! That is a fantastic exploration of a lot of elements that contributed to how I’ve enjoyed all these pieces, but couldn’t pinpoint like that.
It seems to be a cello played in the upper register. Viola doesn’t have that kind of sound projection. Acoustically, the body is too small for it’s range; practically, one can’t hold anything much bigger and thicker on one’s shoulder.
I bet you’re right!
I’ve been hoping you would chime in on some of these pieces, Shimarenda! I could tell from this and your earlier comments that you actually know what you’re talking about on a technical level, unlike me.
(P.S., Is it me, or is Thraeg & Geggis like an orkish comedy troupe or something?)