I’m more interested in who they get to play Davos or Oberyn Martell.

I don’t remember if the Red Viper shows up in book 2, but man, I’d love to see whoever they get. Bonus points if they ever cast the entirety of the Sand Snakes.

I lol’ed.

Ha! I forgot I posted that!

Yeah – he could pull off Mance Rayder no problem. Not necessary until Season 3/4, however.

How can anyone who has read the books possibly say that.

Edit: Okay, in retrospect, I understand what you’re saying. The culture in Westeros is certainly androcentric. The viewpoint of the books, however, is definitely not.

Okay, compare number of “strong” males and number of “strong” females who are POV characters.
It’s a patriarchal world, I’m not saying that there are no leading females, I’m simply saying that the world lore/structure prevents women from naturally having a dominant role, the only ones in strong roles are exceptions on a male-dominated landscape.

Arya Stark
Arianne Martell
Cersei Lannister (for all her crazy, she pretty strong willed and until Joffrey bit it, a fairly shrewd player of the game.)
Brienne of Tarth
Sansa Stark (starts off pretty weak, but her character arc is one of growth, moreso than the others. As Alayne Stone, she’s pretty strong.)
Catelyn Stark
Asha Greyjoy.
Daenerys Targaryen

It’s slightly more than half of the male POV characters. I don’t think we need equal numbers to prove that there are “strong” females in Westeros. It’s still a medieval culture. With emphasis on honor and heirs, so while they may not be the “norm”, they are certainly not under-represented, nor unheard of.

As for strong females being the norm, someone is forgetting Dornish culture. Sand snakes, and princeship through the maternal line. It’s even a major part of book 4.

Exactly. The world is androcentric; the books are anything but.

Basically if you look at the books as a modern progressive’s criticism of medieval culture (and the glorification of it in genre fiction) you have a good place to start when thinking about where the author is coming from.

I think when I was reading GoT and CoK, with regard to male/female characters, I was reminded a lot of Rome (the TV series), where yes, the male characters were the ones with temporal power, but the female characters had just as many strong storylines and often drove a lot of the conflict from behind the scenes. It’s hard to say that Atia wasn’t an important or strong character in Rome despite the fact that she really didn’t have any official power – but being the niece of Julius Caesar, the lover of Marc Antony, and the mother of Augustus kind of gives you some pull. :)

Catelyn and Cersei, at the very least, have similarly strong storylines, despite the fact that Catelyn is dependent on her husband and son, and Cersei upon her husband, father, brothers, and son to actually exercise “real” power.

Plus it’s also modeled on medieval/tudor europe, and there were women who also had plenty of power there. Cersei is somewhat modeled on Catherine di Medici/Margaret Tudor (mother of Henry VII,) who were women who weilded a pretty significant amount of power.

I liked the fight, especially how he pinned the sword with his arm. Welcome to metal skin, barbarian!

The hint of Japan in the Lannister armor was a bit surprising, but cool.

My wife and I watched the episode last night (it’s tough to do Sunday nights for whatever reason), and the Big Scene was a success, I think.

Let me explain: my wife hates movies with bittersweet or (generically) non-happy endings. She’s willing to go through a lot of dramatic crap in a movie or show, but the end had damned well better be butterflies and rainbows or she will hate every person involved with the production for perpetuity. It’s rough, because I love war movies.

Anyway, she was floored by Nedd’s death and yet still is itching to see next week’s show. That’s good. Dunno if she’ll keep watching after the Red Wedding, but I’ll cross that bridge in a couple years. She also thinks that Drogo is going to recover, but I don’t think that’s as big a deal – she calls him “Conan the Rape-barian”.

I was disappointed by the on-screen model of The Twins. The castles seemed too small and the river didn’t look particularly formidable to me. I guess I just didn’t buy that there was no other way to cross… looked like a pretty easy swim and there seemed to be a fair amount of timber for rafts. They are limited to the geography in… Ireland?.. so I can’t hold that against them, but whatever. The animated version in the credits was pretty cool though.

I liked the layout of the Frey’s court: a church-like plan where the Frey brood takes the place of the choir singing the praises of Walder. Awesome.

My wife pointed out that Walder is the janitor guy from the Harry Potter films. Not a bad choice, and he delivered the lines well, but as others pointed out he seems younger than he should be.

I didn’t mind that they short-changed the battle scenes, but I didn’t care for Tyrion getting accidentally knocked out before his big battle. To me it was unclear if he only woke up from that blow after the battle or if he had woken up to lead the hillmen and taken another wound to the head later.

I take it that Bronn’s pointing out that Tyrion does not have a squire means that Podrick Payne will not be a character in the series at all? That would be a shame.

Someone pointed out earlier that too many of the nighttime scenes in the book are filmed in daylight for the show, and I think that’s true. The “crazy tent” scene would have worked a lot better at night. Just a quibble.

I am disappointed with how the directors fail to get across the scope of the crowds. They do pretty well with the GCI of massed tent camps (especially the Lannisters’), but scenes like the tourney and almost every shot with Drogo’s khalasar utterly fail to give the impression of vast groups of people and end up looking like a poorly-attended Ren Faire. The shot of Balor’s Sept was just so-so… when Nedd looks out at Arya it seemed pretty good, but the crane-shot of everyone assembling… meh. I know, I know: they are doing what they can with the number of extras they have, but I think a more skilled director might be able to do more with just as little.

I liked how they handled Arya in the last couple scenes. You nicely got the impression she had been living by her wits, and showing Nedd interacting with Yorin was a pretty good deviation from the books. I also liked how they managed to show all the High Council (one by one) trying to convince Joffrey to spare Nedd after his pronouncement.

I sure hope that the (pretty good) scene with Maester Aemon is all we see of Jon Snow’s conflicted loyalties. If I were to pick one scene from aGoT to strip out of the show, it would be Snow’s abortive ride through Molestown where his buddies catch him and bring him back in one of the oldest tropes out of any “boot camp” story.

I’m pretty sure Podrick Payne doesn’t show up until Tyrion becomes hand.

No, Pod is introduced in the same chapter as Shae. That’s why when Bronn states “you don’t have a squire” in the exact place where Tyrion would have sent Podrick out looking for armor, it seems (to me) like a declaration that the character has been deleted from the HBO series.

Pod better not be out completely, as his character is every bit as important as Bronn when it comes to helping develop the reader/viewer’s sense of what make Tyrion tick. Also, if they get that far, Brienne’s later scenes will be kind of strange without Pod along for the ride.

Yeah, I hope that means they’re just delaying his introduction until the second season. I like Podrick and his moment of heroism.

I wonder how the Brienne auditions will go. “Hey, we needed someone really ugly, so we thought about you.”

Hollywood “ugly” is not really that ugly. Peter Dinklage is pretty attractive for a guy who’s supposed to be hard to look at.

They just not ready to start Pod casting yet.