Not that.

Push?

Not that either.

But come, let us set our sights on the 40:

That looks like the building from Inception, but 40:40 is too early for it… but since it’s my only guess right now, I’m going Inception

Hitman: Agent 47?

High-rise?

None of the above. Let’s carry on to the 60:

aaand the 80, which incidentally is the last frame

Going by the 80:80, Man On Fire.

Is that Michael Shannon in the 60:60?

I like this guess, even though it’s completely wrong.

No.

So… if I lose I have to post another set, right? I might as well prepare them now. :)

Wait a sec… does it star Idris Elba? Oh god, I can’t remember the name…

Well, now that you’ve put that in my head, I’m going to guess Bastille Day.

Yes! That was close. No more frames to post, so go ahead @Soren_Hoglund

Here’s the new 20:20

That would be a 20:20 from Synchronicity, a movie I would have liked a lot more if it weren’t for the terrible female lead. But I loved seeing the guys together again from the awesome middle bit in The Signal!

-Tom

So it is, although I wouldn’t hang its shortcomings around her neck. I thought the movie was pretty egalitarian with its clunkers. There was enough clever stuff that I liked it enough in the end though.

The 40:40

The 60:60

The 80:80

In what movie will you see this at the 20:20?

-Tom

Mike and Dave Need Wedding Dates

Ha ha, you saw Mike and Dave Need Wedding Dates?

I really enjoyed watching Aubrey Plaza commit to what she was doing, but the rest of it ranged from embarrassingly bad to forgettable. The 40:40:

Poor Sugar Lyn Beard took one to the face. This movie really hates her, and she gamely goes along with it.

The 60:60:

Broad comedy on the beach. The 80:80:

Sam Richardson taking a break from being weirdly endearing in Veep. My favorite Sam Richardson moment was his awkwardness when Rose Byrne blurts out “black cocks” in Neighbors 2. Yep, Neighbors 2.

Over to marquac!

-Tom

Re: Synchronicity

Did they shoot this movie without lights or something?