Djscman
1723
No, it isn’t Dracula Untold.
Djscman
1724
Here’s the 80:80 and it’s still anyone’s game.
Lamalo
1725
CGI? Must be Final Fantasy: The Spirits Within. That’s the only CGI movie ever, right?
Djscman
1726
Nope, not Final Fantasy: The Spirits Within. Nor is it The Animatrix: Final Flight of the Osiris.
Here’s a hint: there is a character in that 80:80 frame that was an unexpected cameo.
Only one more frame left. I’ll hold on to that for a few more hours.
Djscman
1728
No, not the Great Wall.
Another hint: Matt Damon did not star in this movie.
Good Will Hunting? Oh, wait.
Narnia: Dawn Treader? I know that’s not the full title, but at least that has a ship in it, unlike what I can still recall from Percy Jackson.
Nice guess! All those frames make sense to me now, going by the book.
Djscman
1732
Judges? Close enough. Yes, it’s the The Chronic—what—cles of Narnia: The Voyage of the Dawn Treader, or as audiences called it, “Oh, they made a third one of those?” It featured a few of the actors from the first Narnia movie that was relatively beloved, if not so much as the Lord of the Rings or Harry Potter movies, as well as the titular Prince Caspian, who was not nearly as beloved. The green figure in the 80:80 was Tilda Swinton surprisingly reprising her role as the Winter Witch. Liam Neeson, who had “played Rob Roy McGregor, Michael Collins, Oskar Schindler, Zeus for God’s sake” reprises his role as a mangy housecat in the 100:100.
Here, the heroes stand on the lonely island of Tol Eressëa, yearning for a glimpse of Valinor, or failing that, to be sent home to boring ol’ England.
Well done, @BellaConfusione and you are next.
The best 20:20s are the ones that get post-mortems like these. I wish more you guys would do it this way. Thanks, DJ South Carolinaman!
-Tom
CraigM
1736
1940’s new york, some servicemen looks like.
On the Town?
No, no and no. Here is the 40:40
Billy Wilder’s One, Two, Three
Definitely. Interesting for a look at a divided Berlin just before the wall.
One, Two frames in and @Woolen_Horde takes it down. Been a while since I saw it, but I remember it being briskly paced and entertaining throughout.
The wall went up while this was being filmed, resulting in the production having to move to Munich, which is something I just learned on Wikipedia along with the fact that James Cagney desperately wanted to punch Horst Buchholz. The street and driving scenes really do provide an interesting snapshot of the city in this very particular period that you usually only get from old newsreels or documentaries.
60:60
80:80
100:100
Just dropped in to say One, Two, Three is fantastic
