The prophecies surrounding Durkon pretty much guarantee an apocalypse of one sort or another at Kraagor’s gate, since it’s in the dwarven lands. Durkon was exiled to prevent a vague catastrophe from happening there, and the Oracle also foretold that he’d return to his home (which in this case I take to mean his home city, not the entire dwarven nation) posthumously. I think Girard’s gate will be another misfire and that the story will climax at Kraagor’s.

more like 7-8, I believe. You can do a search for his ‘here’s the strip’ announcements at the forum and work out the dates from that.

That’s a fair point. My original thought was that the very long time average would be a good yardstick of future performance. It’s true he no longer produces the strip as often as he over many years used to.

It took him from August 8, 2009 to February 12, 2010 to produce strips 673-703. That’s 188 days or 6.06 days per strip.

If this is the pace the rest of the strips will come out and we assume max 671 new strips after #672 we can expect to see the conclusion by September 28, 2020 at the latest.

Now, if we start measuring comparative author performance by their latest output rate instead of the long time average we will need to estimate George Martin’s rate. Let’s be charitable and imagine book five will come out November 17, 2010, in time for the holidays but a month later in the year than book four. That’s 1,857 days for the latest novel.

Using that rate the projected seventh book would come out January 17, 2021. This is uncomfortably close to the Burlew date and I could easily be accused of choosing my estimated date in favour of Burlew. If we move up the imaginary publication date of book five to match book four, October 17, 2010, the projected series end date will be October 16, 2020.

The tardier rates point to the same conclusion. Burlew is more likely to finish his series before Martin does.[I]

This report contains forward-looking statements which are subject to inherent uncertainties. These uncertainties include, but are not limited to, variations in artist mood, changes in the regulatory environment of the NFL, customer preferences, general economic conditions, increased competition, the outcome of outstanding litigation, and future developments affecting literary matters. All of these are difficult to predict, and many are beyond the ability of the report author to control.

Certain statements in this report that are not historical facts, but rather reflect the author’s current expectations concerning future results and events, constitute forward-looking statements within the meaning of the English language. The words “believes”, “expects”, “intends”, “plans”, “anticipates”, “hopes”, “likely”, “will”, and similar expressions identify such forward-looking statements. Such forward-looking statements involve known and unknown risks, uncertainties and other important factors that could cause the actual results, performance or achievements of the artists to differ materially from future results, performance or achievements expressed or implied by such forward-looking statements.

Readers are cautioned not to place undue reliance on these forward-looking statements, which reflect the author’s view only as of the date of this report. The author undertakes no obligation to update the result of any revisions to these forward-looking statements which may be made to reflect events or circumstances after the date hereof or to reflect the occurrence of unanticipated events, conditions or circumstances.[/I]

Okay Jarmo. I’ll have to say you make a persuasive case. Keeping in mind that there are as you say inherent uncertainties.

You forgot the official SEC “Past performance is no guarantee of future returns” statement!

Dead Men Give No Speeches

Another double.

Wonder where Xykon goes to when he disappears?

I used to love this strip, but I really feel like the magic is gone.

To me the story works when it arcs against the usual RPG cliches. Meta-awareness and satire alone don’t bring it home.

Post Roy’s return it just seems as if everyone is positioning themselves to be whatever the plot demands it is that they become. I don’t want to read another 600 strips to get to what’s starting to feel like an inevitable conclusion.

I think Burlew could have pulled a Cerebus here, hewing away from the cliches, and taking the reader in a new direction. Or course, he would also have to avoid becoming a misogynistic madman in the process.

I’m not saying it’s not still possible that the series will pick up again, but it’s been a long time since anything has been revealed that fundamentally changes my relationship to the characters, or their relationships with each other.

I miss Miko.

He’s got to be aware of that himself, I hope. After some stellar character development during the “split the party” period, his recent strips are downright pedestrian and tedious.

705 is up. I was wondering what happened to these characters.

Hey! The plot inches along!

Yeah, well, I would have preferred it if Sim just kept up the silliness from the first 40 or so issues for the next 260.

I’d feel the same way about the phrase “skeleton crew”…

Lucky for you there was Groo.

Groo?

Indeed.

I’d never heard of it until now. But I’ve always loved Aragonés’ work in Mad Magazine.

Groo was kinda hit or miss, imo. Certainly its no Cerebus, but then, very little is. Other than Cerebus. There’s actually tons of that.

Yeah, I didn’t like Groo that much, what I saw of it. Where the first few dozen issues of Cerebus seemed to be having fun with swords and sorcery, Groo seemed to be mocking it, which isn’t as entertaining for long. I always liked Aragones’ Mad stuff, though.

But I admit I haven’t seen all that much of Groo, just a few bits and pieces, so perhaps I should get a collection to be sure. Hmm, I see that groo.com doesn’t seem to have been updated since 2005…

I’ve followed Groo the Wanderer from the beginning and I highly recommend giving it a try! It’s a humorous fantasy comic book featuring a character that is so dumb, accident prone and dangerously competent with his swords he is more aptly described as an unfortunate force of nature than a person.

The Groo comics are an opportunity for Sergio Aragonés and Mark Evanier to tell stories about common human foibles. Groo loves to fight and he wanders a busy, living and breathing fantasy world looking for work and food. He is the center around whom the petty scheming of the other characters rotates. There are stories about arms trading, wars, monasteries, shipyards, magic talismans, pirates, witches, slave trade, market speculation, literacy and anything and everything under the sun.

Groo as a person is not totally neglected, though. There is some character development over the very long run and he collects a large cast of fun characters around him over the years. The most important is Rufferto, his loyal dog. Chakaal, the actually competent and heroic swordswoman is probably the most popular of them.

Wikipedia has the full list of Groo publications. There are a lot; over 160 comic books and two graphic novels. Groo.com is a fan site, not an official one and hasn’t been updated in years.

There are still new Groo comics coming out. Currently it is published in four-issue miniseries. The latest one is called Groo: The Hogs of Horder. Links: Issue 1, Issue 2, Issue 3, Issue 4. Click the cover to read the first pages of the comic. Issue 4 is coming out in two weeks.

Most of the Groo comics have been collected as trade paperbacks, the new miniseries included. They are not hard to find in online book and comics shops or on eBay. Probably most brick and mortar comics shops have at least some Groo collections in stock.

I like the early stories most. They have a rougher, more loose sensibility than the later ones. I recommend starting with the very first stories. They were collected in six issues of Groo Chronicles. Here are a couple of sources: Amazon and Lone Star Comics. If the links expire just search for Groo Chronicles on their sites.

The Epic (Marvel) run of 120 issues is also great fun. Half of them have been published in alphabetic collections, from The Groo Adventurer to The Groo Odyssey. There are some classic, laugh-out-loud stories in them. They are never just slapstick fun but always feature some nugget of thought about the consequences of selfishness and greed or some such thing.

Unfortunately this side of the book has tended to take over the new miniseries and they come off as a little preachy. If you’ve only read some new Groo stuff I recommend looking at the earlier stories.

I think most long-time Order of the Stick fans would also like Groo. They share a similar sensibility of well-realised characters in humorous situations in rich fantasy settings. Groo is never meta, though, the sword & sorcery is always handled with respect but with an eye for a funny turn of events.

He’s not even supposed to be here today

Preparation is everything.