Posting here, as it is mostly metal, after all:
For those that don’t care for images, my top 50 for they ear, though the ordering past about #15 or 20 gets pretty hazy, tbh.
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Tribulation – Down Below - A brilliant, perfectly constructed death-tinged gothic album from top to bottom, with groovy riffs, potent vocals, hooky melodies, fantastic production, and an excellent mood and general feel from the word go. It’s actually a little hard to express why I like it, since the answer is essentially “everything about it.” However, I will note that my often-used description for this band is “what if Ghost sounded like how they looked, but kept hold of some of their brilliant pop sensibility in the transition?” “The Lament” is an excellent way to kickstart the album, though “Subterranea” might just be my favorite of all.
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Harakiri for the Sky – Arson - This grinding, driving, highly melodic and unexpectedly catchy post-black metal album somehow overcomes the stupidest fucking bandname on my list this year in amazing form. It grabs you by the face and never lets go from the opening moments of “Fire Walk With Me,” screaming an agonized plea for you to share in the pain driving every moment of this release, though “Heroin Waltz” is the standout track of the whole enterprise. It’s gorgeous, dark, enormous, melodic, and just about perfect.
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GUNSHIP – Dark All Day - A fantastic, nay, excellent record in a year of incredible synthwave, GUNSHIP’s sophomore release features more of his vocal-heavy retro new wave stylings, refined and perfected from years of hard work. Incredibly listenable, it’s got great pop hooks, catchy-as-fuck choruses, and some seriously groovy little 80s-inspired synth tunes to back it all up. And while “When You Grow Up Your Heart Dies” might be super sappy and touching, “Black Blood Red Kiss” is one of the most banging synthwave songs ever.
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TRNA - Earthcult - A gorgeous instrumental post-metal album that sojourns through naturalistic soundscapes and then quickly turns and propels you along pulse-pounding sections in between, Earthcult might just be the only good thing to come out of Russia here recently. Wait, no, we got a new Arkona record, too. . . I digress. The four tracks on this album are each beautiful, haunting, compelling journeys in and of themselves, and by the record’s end, you have traveled far indeed down leaf-strewn pathways into forgotten realms. Take the trip, please; there’s a lot more going on here than your usual post-rock/metal lull/swell repetition.
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Finnr’s Cane – Elegy - This was a tough call, but in the end, the grinding depressive atmospheric black metal stylings of Finnr’s Cane, launching you down an autumnal dark hole that never seems to end, beat out Amorphis’s best record in a decade or more. I know, I know. I’m really going heavy on the “driving, autumnal, depressing black metal” thing this year. It’s just where my head’s at. And Finnr’s Cane tap that impulse perfectly, with haunting vocals, inspired harmony, and some surprisingly excellent melodies. But perhaps most surprising is a gleaming core of warmth and sunlight-dappled gold running through the whole enterprise, making it far more than you might at first assume.
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Amorphis – Queen of Time - As above, the best Amorphis record in ages, and featuring my song of the year, “Amongst Stars,” featuring the incomparable Anneke van Giersbergen. But it’s got it all, from jazzy moments to proggy moments to some unabashed death metal ferocity. The entire band are playing on point, achieving that amazing, melodic death metal feel that Amorphis does so well when they’re hooked in, with some insanely catchy choruses. This would be a top 5 release for me almost any year; 2018 was just a little too stacked for em.
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Erra – Neon - A real callback to my youth in some ways, Neon combines screamo stylings with proggy death metal innovations to produce something thoroughly modern and excellently listenable. It’s got the catchy throwback high vox in the vein of Circa Survive’s Anthony Green mixed with surprisingly good screams and growls, some brilliantly complex guitar and bass work, and a thumping drumline to push the whole thing forward. Sure, it dates itself with some cheesy breakdowns now and again, but it nonetheless represents a thoughtful evolution of a seemingly dead genre.
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HAKEN – Vector - I’ll be the first to admit that HAKEN’s decidedly more djenty turn from the 80s throwback wankery of Affinity let me down at first, but in the end, their catchy songwriting chops, excellent musicianship, and propensity for eminently foot-tapping choruses shines through the new production’s sheen and guitar distortion stylings. Tracks like “The Good Doctor,” “Puzzle Box,” and “A Cell Divides” showcase exactly why I love these guys so, so much.
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Vermilia - Katkyt - One of two one-woman black metal productions rounding out my top 10 this year, Vermilia’s Katkyt just edges out the other by bent of its relentless aggression, expert use of harsh and clean vocals, and faint tinges of Arkona-style folk influences creeping in at the edges. It’s exactly the sort of atmospheric black metal I’m totally and unapologetically addicted to, with just enough novelty to elevate it over similarly excellent offerings from Bastard Tongue, Sojourner, and Choria.
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Sylvaine – Atoms Aligned, Coming Undone - Fresh off a turn on Alcest’s Kodama, Katherine Shepard dropped one of the most compelling atmoblack albums of the year, drenched in shoegazey haze and autumnal sleepiness amidst a solid metal core. Gorgeous, haunting vocals, echoing guitars, and some real standout tracks like “Severence” and “L’appel Du Vide” make this one record eminently worthy of spot number 10 for me.
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Kamelot – The Shadow Theory - Great power metal that’s finally come into its own, the enormous shadow cast by ex-vocalist Roy Khan seems to be lifting as Kamelot reascend to the heights of power metal.
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Vanishing Kids – Heavy Dreamer - A difficult-to-categorize blind of hard rock, psychedelic music, and shoegaze, Vanishing Kids’ new record is a sleepy, yet powerful, slow burn well worth our time.
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Kobra and the Lotus – Prevail II - Although it isn’t quite as strong as Part 1, the latest from Kobra and Lotus show the Canadian heavy metallers at top form with super catchy tracks and potent vocals.
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Lord of the Lost - Thornstar - A dark rock ode to deep-voiced, synth-tinged days of yore, Thornstar is an excellent modern reshaping of old sounds into something new and utterly epic.
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Carpenter Brut – Leather Teeth - An absolutely fantastic followup to the nearly flawless Trilogy, Carpenter Brut’s latest features some truly great tracks, especially the two with vocals onboard.
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Shylmagoghnar – Transience - An excellent progressive, melodic death metal release with folky tinges and an impossible to remember name, this album might overstay its welcome slightly, but it’s great while it lasts.
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At the Gates – To Drink from the Night Itself - Their hair might be greying, but At the Gates are still at the top of their game when it comes to excellent, classic Gothenburg-style melodic death metal.
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Bastard Tongue – Bastard Tongue - The first entry from a local band, Bastard Tongue’s eponymous release shows surprising maturity and mastery of the atmoblack genre for a bunch of young dudes.
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Oceans of Slumber – The Banished Heart - An absolutely beautiful, haunting sophomore release from a band with far more troubles than they deserve, the soulful vocals and crushing riffs combine to make true magic.
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Dance with the Dead – Loved to Death - This guitar-heavy, frenetic synthwave is perhaps just more of the same from DwtD, but it’s exactly what I want, sometimes. . .
The rest of my top 50, with much shorter extra thoughts.
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Ghost - Prequelle - Gothy, Satanic hard rock that ain’t “real” metal but is metal as fuck.
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Orphaned Land – Dead Prophets and Unsung Messiahs - Glorious Israeli folk metal with a beautiful message to match the tunes.
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Arkona - Krham - Yet more astoundingly good Russian folk metal from Masha Scream and the gang.
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Lucifer – Lucifer II - Some awesome 70s-ripoff heavy metal/psychedelic rock with female vox.
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Coheed and Cambria – Vaxis – Act 1: The Unheavenly Creatures - Cheeseball prog rockers return with yet more impenetrable scifi shenanigans.
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Dimmu Borgir - Eonian - A great return to form from a fantastic orchestral black metal landmark.
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Powerwolf – The Sacrament of Sin - Awesome, albeit super cheesy, testosterone-drenched power metal.
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Uncle Acid and the Deadbeats - Wasteland - Music to get stoned as fuck to, I guess. But there’s a seriously great rock record buried in the tryhard production.
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Mythic Sunship – Upheaval - Also music to get stoned as fuck to, but a little less on-the-nose about it. This really came outta nowhere for me and surprised me.
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Immortal – Northern Chaos Gods - Black metal masterminds still produce fucking amazing black metal, news at 11.
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Sojourner – The Shadowed Road - An excellent, but slightly sleepy, atmoblack record.
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Behemoth – I Loved You at Your Darkest - Behemoth aren’t doing much new, but they still know how to rock.
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Powerglove – Continue? - Excellent, long-awaited videogame metal album as one of my favorite videogame cover bands finally returns!
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The Necromancers – Of Blood and Wine - Hard rocking doom metal with a Grand Magus tinge.
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Omnium Gatherum – The Burning Cold - Absolutely good, albeit rarely surprising, melodic death metal that does it right.
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Primordial – Exile Amongst the Ruins - While still failing to live up to their middle-period releases, Primordial continue to write great, unique folk metal.
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Obscura – Diluvium - Ludicrously proggy, technical death metal that is more than just mathy noise.
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A Forest of Stars – Grave Mounds and Grave Mistakes - Hyper theatrical progressive black metal with a pointedly British twist.
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Zeal and Ardor – Stranger Fruit - The combination of slavery-era spirituals and heavy metal thunder you never knew you needed.
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Great Leap Skyward – Map of Broken Dreams - High quality prog metal record that doesn’t fall into the wankery trap, but keeps it’s brainy core.
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Wolfheart – Constellation of the Black Night - Excellent melodic death metal release that would have ranked higher if it were easier to listen to.
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Atra Vetosus - Apricity - Catchy, highly listenable melodic black metal band out of Australia continue to impress, not get devoured by spiders.
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Sylff – Inner Devastation | Outer Serenity - Proggy, atmospheric post-black metal that continues a yearlong trend for me!
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Time, the Valuator – How Fleeting, How Fragile - Excellently done poppy metalcore that rises above its shameful early 00s roots. Well, mostly.
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Sigh – Heir to Despair - Japan’s Sigh continue to change it up and remain weird and inscrutable, but their latest is all excellence.
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Xael – The Last Arbiter - An awesome progressive, symphonic death metal side project from the mastermind behind NC legends Rapheumet’s Well.
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Deadbird – III: The Forest Within the Tree - Sludgy, doom metal that grinds and depresses while it rocks a solid core.
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Author and Punisher – Beastland - Industrial-influenced doom metal/electronica one-man project that really took me by surprise this year.
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The Midnight – Kids - While a disappointing followup to their last two amazing releases, The Midnight’s latest is still fantastic vocal synthwave.
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Korpiklaani – Kulkija - Continuing a long, if not necessarily innovative, tradition of solid folk metal.
Lots and lots of honorable mentions, including the new releases from Alice in Chains, Alkaline Trio, Alkaloid, Anaal Nathrakh, Arsis, Borealis, Choria, Doomed, Drudkh, Frost Giant, Gaerea, Gygax, Ihsahn, Interpol, Judicator, Khemmis, Knightmare, Marius Danielsen, MaYaN, Meteor, Red Velvet, Redemption, Set and Setting, Seventh Wonder, SHINee, Skeletonwitch, Southern Empire, Spacetrucker, Stormland, Tengger Cavalry, The Hazytones, Unreqvited, Vanhelga, Waveshaper, Wheel in the Sky, Windhand, Winterfylleth, Witchcryer, and YOB.
