Saw this last night at the Kabuki and since there wasn’t a thread wanted to share some thoughts. There are some spoilers here.
The basis of the movie is the journalistic uncovering of the child-molestation coverup in the Catholic church of Boston back in 2001-2 and how it came about. It centers on the “Spotlight” special investigative team of the Boston Globe writers/editors and associated newspaper-people that worked many hours and fought many battles to pull this all together. Spotlight features a bang-bang cast of actors doing great work in this movie: Mark Ruffalo, Michael Keaton, Liev Schreiber, Rachel McAdams, John Slattery, and Stanley Tucci, along with some good stuff from Billy Crudup and Jamey Sheridan.
Spotlight goes very little into background or introductory material, but delves head-first very quickly after Schreiber, a Jewish editor from other publications within the organization (Miami and before that New York) is brought in to oversee aspects of the Globe, potentially cut costs and one would think be the annoying thorn in everyone’s side as businessman-type aspect of evil capitalistic journalism. The nice thing is that this is very quickly disabused; though it is a bit of a cliche plot red herring that goes nowhere (there is another one of these later). During one of the first editorial meetings he discusses a column written by a staffer regarding the trial of a priest who abused children, and noted that there was absolutely no follow-up and wanted to see about doing more about the topic.
Slattery, who plays Ben Bradley Jr., is skeptical as Keaton’s Spotlight team is asked to do some digging. The Spotlight team doesn’t normally get tasked–they pick the topics and spend however long they want working them. But Keaton agrees and the story really takes off. This leads to the other potential red herring. Multiple times throughout the movie there are constant implications that the Boston Globe covered up or ignored previous stories regarding abusive priests, or at the very least, buried them and moved on. Multiple characters state they sent the Globe tons of info years in the past and nothing ever happened. The script tags Slattery as potentially someone who kind of the person who is quashing all of this stuff: first he doesn’t even want to go with the story, wants to get the Spotlight team off of it, talks to various people and is alarmed at the prospect that there could be even more priests than the original 13 (not because there are more but because they have to vet all of it). The plot device starts to become obvious: Slattery is covering up for the church, along with everyone else in the city (see the next paragraph). But… it doesn’t transpire that way at all.
Instead of some devious shenanigans with the church, the Globe didn’t follow up because of the biggest sin of all: people in Boston consciously or subconsciously just ignored the allegations/accusations/trials, put them aside, didn’t want to believe them, or sweep them under the rug. Constantly people ask, “What took you so long?” The movie implies that the city, Boston being Boston, didn’t want to know. Which is to say: the people, the church, the institutions deigned to inform and protect; nobody. That’s the ultimate sin being uncovered in Spotlight.
Whether I or you agree with this is of course the main question. I’m not a Boston person and have never even been there, so I can’t really say one way or another. It’s a pretty damning accusation, however, and one bound to cause controversy.
Other things in this movie: a wasn’t a fan of Ruffalo’s weird facial twitches. I don’t think it’s a subconscious, natural thing, and if he has done it in other movies, it doesn’t seem as noticeable as in this movie, which is really noticeable and is kinda bothersome. Maybe he’s imitating the real life writer, I dunno. A third red herring in this movie is that the Catholic church sees everything, knows everything, is all powerful, etc. If this was a conspiracy movie about anything else, the next thing you’d expect a character to say would be something like, “and they can make you disappear.” They never say this, but it’s like… that one line is missing but it’s in the back of your mind. But they never really follow up with that either–the church just makes things a little difficult, but the characters seem to easily overcome all of this. Spotlight also throws a lot of names and cases at you extremely quickly; if you have a bad memory or have Memento disease, this may be a problem, because it all ties together in some form or fashion. And as I said earlier, there’s not a lot of introduction at the beginning.
All in all, it’s an interesting and thought-provoking movie, and it pretty much does what you think it’s going to ask: how did this happen for so long and who was responsible for it? Whether or not this is an Oscar contender… well just watching it without seeing some other potentials, I would say no, but would still say it’s a pretty decent movie.
— Alan