Is that Mac looking dialog box part of the frame or what? That’s crazy. Why do movie people always have Apple computers?

Nope, not the Girlfriend Exp. As for the dialog box - 40:40 might make things a bit clearer.

That looks like a pre boob-job Angelina Jolie. So Hackers?

Nope, that’s not Angelina Jolie.

Here’s 40:40. Another lovely split-screen shot!

Thats a pretty original take on zorro in that case.

Which one was that, Assassins? The one with Banderas and Stallone.

Femme Fatale? No one split-screens like De Palma. Old computer UI, though…

Qwijybo wins! It’s indeed Femme Fatale, from 2002. It’s De Palma at his most De Palmaesque.

This is 60:60, caught right in the middle of a fade:

Those are some great frames. So wonderfully showy.

How about this one?

Malcom X

I’m going with Shaft because I think that looks like his office.

Point to Djscman! I thought that might go fast.

The remainder follows, but the 40 here is the closest glimpse we get of our hero:

Daaaaamn right.

I don’t know if this 20:20 will be easy or hard.

Amadeus.

Dangerous Liaisons?

Had to check my copy of Amadeus too. I think it’s the shit Marie Antoinette movie Sofia Coppola did?

djotefsoup has identified it, though I’d probably call it the best Marie Antoinette movie Sofia Coppola did.




I love what she did with this movie. The very definition of “swinging for the fences.”

-xtien

“Mops!”

Yeah I did not enjoy that movie. I have to admit I was momentarily enraged by how much better it looked in that shot than the reception around the same time in Amadeus. What fantastic production design in service of … that. Man.

Anyhow this is going to be a slightly easier one than last one I did, though it’s not much newer. Another one I think is a classic underrated horror movie, but slightly less obscure this time.

20:20

IMDB reveals there are no less than 7 english language titles I will have to accept as valid for this one so you might as well just assemble words randomly really.

I like that Marie Antoinette movie, although that maybe be some stockholm syndrome since my wife really loves it. It’s a Marie Antoinette movie that isn’t really about the French Revolution at all, which is ballsy at the very least.

Plus, Schwartman as Louis is so absurd that it comes around the other end and works.