These Are The Voyages-Star Trek TOS Remastered and Reconsidered


“I do not threaten, Captain. I merely state facts. I have found you to be an excellent officer. Our missions together have been both successful and profitable; however, I shall not permit your aberrations to jeopardize my position.”

I’ll jump in here with “Mirror, Mirror”, undoubtedly the most sequelized episodes of TOS with five episodes of Deep Space 9 taking place there, two episodes of Enterprise, and (apparently) seven episodes and counting of Star Trek: Discovery. Plus a metric crap-ton of novels and comics.

I had absolutely forgotten more than I remembered about this episode, from the midriff-bearing pirate costumes (Spock got an ascot… or perhaps a cravat…), to the personal mercenary details of the officers, to Spock’s threat to Sulu that his death would be avenged by shadowy Vulcan ninja “operatives”.

The big thing that struck me was how very fleshed-out the Mirror-universe actually was: from the kill orders being dictated from High Command, to the implications that the Empire had over-extended itself, to the horrific command record of the “Mirror Kirk”, it’s obvious that Jerome Bixby had a great time coming up with an evil version of Roddenberry’s Starfleet.

Everyone got to chew a little scenery in this episode, but Nichelle Nichols really got to shine a bit more here than in many other episodes, following up on her singing in the previous week’s episode. Although it seems a little sexist, I really liked the early scene where she emotes some doubt about going alone to a bridge full of evil space-barbarian/pirates, and Kirk gives her a little pep-talk: “You’re the only one who can do it!” That made the later scene of her toying sexually with Mirror Sulu even more powerful.

Walter Koenig didn’t have too much to do in this episode, but his bout of screaming in “The Booth” reminded me viscerally of his screaming in “Wrath of Khan”.

The final scene with “Marelena” being introduced to the “real” Kirk always kind of rubbed me the wrong way, even as a kid. It’s one thing for the Mirror-universe to have “Captains’ Women”, but I didn’t like the impression that they gave that Kirk was immediately going to start going after this poor young junior officer simply because the alternate-world version of her was sleeping her way to the top.

Some little trivia points, both about the costumes:

First, Desilu/CBS regulations forbade showing female belly-buttons during prime-time, but several of the female parts had bared midriffs. In most scenes, the sash would cover the belly-button, but Nichols’ showed hers in several scenes… this was apparently accomplished by treating the on-set censor to lunch, then filming those scenes when he was eating.

Second, the Mirror-versions of the uniforms had all sorts of little adornments, from sashes to cravats, to fringed epaulets. But they also had a bunch of random pins and decorations around their Starfleet symbol. As noted earlier, George Takei was filming The Green Berets during a portion of Season 2, and one of Mirror-Sulu’s pins is that of an ARVN Captain… the rank his character has in that movie.


“May I point out that I had an opportunity to observe your counterparts here quite closely. They were brutal, savage, unprincipled, uncivilized, treacherous - in every way splendid examples of homo sapiens, the very flower of humanity. I found them quite refreshing.”

All right then, let’s talk about “Mirror, Mirror.” Actually, I don’t have too much to say about the episode itself. It’s ok, I think it’s enjoyable enough though it doesn’t really stand up to much careful thought, and it’s really been done to death in future Star Trek series - though that’s no fault of this particular episode.

But I’d rather take my space to discuss one of the most overlooked, and yet most completely ubiquitous and simultaneously most dangerous, piece of technology in the Star Trek universe: the transporter. Sure, we talk about it a fair amount out here in the real world, but it’s never really given a second thought in universe. It’s like a weird reverse MacGuffin. And yet it’s been the source of a lot of drama and, let’s be honest, a lot of trouble in the Star Trek universe. Why just to this point in the series so far we’ve already seen it split Kirk into good and evil halves. Its finicky nature almost stranded Sulu and a landing party on a freezing planet. And now it shifts Kirk and the gang in a parallel universe. I won’t even get into later misadventures like the horrible accident in The Motion Picture, or how it just flat out duplicates and strands Riker on TNG.

Only McCoy seems to regard the transporter with what you’d have to think would be a pretty normal sense of doubt and even horror. I mean, how does the transporter really work? It seems to transform a physical entity into a transmittable energy state or wave, sends you across vast distances, then reassembles you into your original state at your destination. Clearly the implications of this are staggering, along with the questions it raises. Does the transporter really flip a switch on you and restore you on the other side, or does it in effect “kill” the original and duplicate you once you get there? Interesting speculation on that here.

Obviously we don’t really know how this would work, it just exists for plot purposes and isn’t analyzed too closely. But like I mentioned, folks in the Star Trek universe also don’t really seem to think about it too much and I’m not sure they even really know or question how it does or what it does. It’s just a thing you use because that’s just what everyone does? I wouldn’t be nearly so sanguine, but I’m just a cowardly earthbound dude.


Terror must be maintained or the Empire is doomed.

Wow, I loved this episode. This show has certain hit a stride where each episode is very compelling now.

Honestly, I’d forgotten a lot of this episode, and was surprised by just how much they told us about the mirror universe in each scene. It kind of reminded me of The City on The Edge of Forever as far as efficient storytelling goes.

Of the countless small details in this episode that I loved, one was how quick on his feet Kirk was in evaluating his situation and rolling with it. One thing about their new uniforms were these sashes they were wearing around the waste. When Kirk reached the bridge for the first time and was about to sit down on the Captain’s chair, you can see his hesitation. The sash around his waste has a piece hanging down. Should he put that part to the side, or between his legs? He puts it between his legs and sits down.

Having Chekhov immediately making a move against Kirk was brilliant. And I even loved Kirk and Spock’s final exchange where he’s trying to convince Spock to accelerate change in the mirror universe using logic. Just a really great episode all around.


Thank you for this heads up. I like knowing the name of the guy who wrote this great episode. The two names emphasized at the end of the episode were Gene Coon and Gene Roddenberry.

Yeah, the aspect of killing someone and then bringing them back into existence elsewhere really bothered me back in the TNG days. I was so happy to finally addressed directly in the Riker episode. And from this re-watch, I am kind of surprised at how often the transporter has played an important part.


Also, holy shit, when Marlene, the Captain’s woman, opens the door to the side quarters to reveal herself in lingerie-equivalent clothing and she says “Just oiling my trap darling”, I almost did a spit-take. I’ve never heard that expression but it was sexy as hell.


This is a great episode with giant plot holes.

The giant plot holes can be excused in a one-off, but I had no idea that the other series come back to this so many times.

How do the two universes stay “synchronized” when the character motivations are so different? They just hand-wave away the return of the Empire landing party to the Empire Enterprise in this episode, but if it is going to happen again there has to be a real mechanism.

It also seemed weird that on the Empire Enterprise, there were plenty of deaths, but they all happened to unnamed characters.


I think that in the DS9 “Mirror” episodes they pretty much codified the ion-storm technobabble to the point where pretty much anyone who wanted to jump back and forth could do so… provides their alternate-self also did the dimensional tango.

One other thing about the episode that I forgot to point out was that Mirror-Spock was tipped off to Kirk’s plans because he was hogging so much computer power. That’s pretty cool given that the concept of computer-cycles were largely unknown to even sci-fi writers at the time. But beyond that, the USE of the computer in this episode went to kind of a weird place: Kirk hypothesizes that they’ve jumped between universes, then he simply asks the computer if his theory holds water; the computer blinks a bit and finally says “yes”. Kirk then instructs the computer to come up with a procedure that they can use to duplicate the dimension-hopping, and a few seconds later the machine spits out the plan.

[Then somewhat implausibly, Scotty starts spouting off warp-drive power requirements even though he has no idea what’s on the little floppy disk he’s holding, but whatever…]

This degree of computer power is (I believe) pretty unique in the TOS… or really any Star Trek. For the most part the computer simply relays information once it’s queried; this episode is the only one I can think of where the machine actually does any analytical or planning work. Much more often you have some team of scientists or engineers that are “working on it” for a chunk of Act 2 before revealing that they need ten kilograms of mcguffinite to make their scheme operative.


Jerome Bixby wrote some damned good sci-fi back in the day.