Huh. This was certainly not terrible and I’d watch it again if it pops up on Netflix or something, but I came out of it being somewhat underwhelmed. I guess all the positive reviews had heightened my expectations too much, and some gushing articles made it seem like the combo of female hero lead and Patti Jenkins’s direction was some sort of game changer or at least made for a bit of a different comic movie experience. Sadly, it wasn’t - especially when the third act kicked in.
To its credit, most of the cast was rather likeable - that has not the case for some of the recent Warner/DC movies. I also liked some character arc aspects. When the marksman screws up in the second act and is unable to hit the other sniper, you 100% expect that there’ll be a big scene in the third act where he’ll have to overcome whatever trauma it is to save the day. And then that didn’t happen, and I actually liked that.
I also appreciate that the movie stands on its own and was not as heavily tied into other DCU movies as it could have been. Brief Wayne Enterprise cameo aside, they didn’t emphasise the other DCU notably and even refrained from having a post-credits scene. I also like her music theme–it’s been introduced in BvS already, I know–which is distinct and memorable. I wouldn’t be able to spontaneously hum any other recent superhero theme.
The second act works best, I thought. That part when she plows through the village and her theme music kicks in - wonderful.
As for the parts that didn’t work as well for me… some of the dialog was really cringeworthy, and I was about to laugh/groan when the “LOVE!” bit came up - just as I was when Anne Hathaway’s Interstellar line made its appearance.
I also thought Gal Gadot’s performance was serviceable, but not enthralling. I never really cared about Captain America, but Chris Evans, being the affable fella he is, helped me getting sold on it. Gal Gadot’s WW is more akin to Chris Hemsworth’s Thor (first movie) in that he wasn’t bad and looked up to the part, but without making the character his own the way Evans, Bale, or RDJ did with their respective heroes. (Mind you, Hemsworth has grown on me a bit over the course of several MVU movies and bits in other movies.)
The finale was a letdown because it was mostly about walking down a trodden path. I really David Thewlis and was initially happy to see him in this as I was delighted to see him in the third season of Fargo - but as soon as its about his face getting projected in a CGI super-hunk, it got boring. Also, the bit about the soldiers hugging istantly afterwards… it was hard to take it seriously.
But it’s probably more profitable already given BvS’s production budget and far higher marketing investment.