With Red Dead Redemption 2 out I’ve been on a bit of a Western kick so it’s been great to scroll through this thread. Need more time to think about my list, but two quick thoughts.
Noticed Unforgiven was on Netflix so watched it again. Man, what an amazing, bleak film. Pairs really well with RDR2.
Not a film, but Have Gun, Will Travel still holds up really well. What an interesting take on the Western format.
For me, Once Upon a Time in the West is Leone’s masterpiece and the peak of the spaghetti western era. I like the Leone / Eastwood films, but Once is the best.
I think if you could mash up The Good, The Bad and The Ugly with Once Upon a Time in the West you’d have like the ultimate awesome western. Like maybe if Henry Fonda has played Angel Eyes, or if Clint Eastwood had played Harmonica.
I’m not a connoisseur of western films, but I’ll give this a shot. All of my choices might be a bit oblique to the genre.
Deadwood. I know, not a film, but there is no better straight-up western. It’s iconic for me.
Legends of the Fall. I’ve never been so attracted to a man as I was to Brad Pitt in this film. My teenage self squirmed a little at that. My adult self acknowledges that it was justified. It also has it all: wide grassy expanses, gun fights, bootlegging, rough men on horses wearing hats, a grizzly bear, etc.
The Revenant. Speaking of grizzlies… How has this not already been on someone’s list?
No Country For Old Men. It’s a western.
The Ballad of Buster Scruggs. It’s a Coen brothers bifecta. I know this is recent, but I already love it.
Open Range. Duvall and Costner in a slow burn film with wide scenery.
Honorable mention: Tombstone. I have seen this film many many times, and I loved it so much at one point. It doesn’t hold up very well for me now–feels like a cartoon–but I still like it for nostalgia’s sake.
Second honorable mention: Godless. Again, not a film, and not as resolutely iconic as Deadwood, but really good. Also notable, as a western, for having women in it.
I think it’s odd how little history is contained in the western genre. It’s like it’s just a fantasy setting with no context outside of vague nods toward the frontier and clueless folks in nice duds arriving by train and depressed Confederate soldiers. I read Hampton Sides’s book Blood and Thunder a couple of years ago. There are so many stories in there that would make fantastic films: The Battle of San Pasqual, Freemont’s Oregon expedition and the Bear Flag Revolt, the Taos Revolt, etc. Why hasn’t there been a western with Mormons as the villains? Those dudes were fucking psycho.
I like Deadwood because the context is always there. It’s located in history and, in a sense, it’s about how history and culture is created. No one stands tall, there’s no silhouetted rider on horseback. It’s dirty and nasty and claws its way out of the mud. Most other westerns feel antiseptic in comparison.
This isn’t Nam, @Matt_W, there are rules! But yeah, Deadwood would top my list of movies if, you know, it was a movie. Though luckily that problem may soon be resolved!
I’m almost entirely ignorant on this genre! Reading through the thread, it became apparent that my top six would have to be the only six I’ve seen in my life. And even then, it breaks down as two legit choices, some extremely questionable hybrids, and a Netflix show my kids watched. Behold my shame:
Butch Cassidy and the Sundance Kid
No Country for Old Men
Blazing Saddles
Back to the Future 3
Solo
Spirit: Riding Free
Now seems as good a time as any to fill in at least a few blanks. So after reading through everybody’s picks and trying to remember as many recommended titles as I could, I scanned through the genre on Netflix and Prime Video to see what I’m already paying for access to. Here’s what I came up with – please help narrow down which to watch first, or if there’s something great that I overlooked:
Unforgiven
Hateful 8
Young Guns
Ballad of Buster Scruggs
A Fistful of Dollars
The Good, The Bad, and the Ugly
The Magnificent Seven (both original and 2016 version)
I’d go in chronological order. A lot of later westerns play with and build on the tropes established by the pioneering films in the 40s and 50s. For example, I think Unforgiven is a lot more meaningful if you’re familiar with Eastwood’s spaghetti westerns.