I have a theory. But first, a caution. We’re not going to talk about “those issues” that get threads locked, because this isn’t about that at all.
I’m feeling a theme aside from the arguable and touchy topics around the current blowout, is a theme about audience backlash against the media. This is really quite interesting, especially worth consideration for the bunch of you who are current or former bloggers, freelancers, editors, etc.
It’s probably happened before somewhere that I’m unaware of, but to me this is the first incident of a very vocal segment of the readership turning to cry foul at the top-thru-minor online media, rage in hurling accusations of cartel journalism, and protest the accused collusion between the “critics camp” and the “creators” camp. I generalize that really heavily because it’s a broad sweeping cry of damnation at a whole lot of levels. Top end AAA publications down to the blogger space, and from AAA publishers down to to the single-person indie game maker. Quite the spectrum on both ends.
The common theme is that the readership seems to have snapped awake and decided that there are “improper, unethical” shenanigans going on between the people who are making the thing, and the people who are reporting about the thing. Wow, shocking, right? I’d think around this crowd we kinda know some of what goes on. Stuff like publishers saber rattling with the big sites/mags about review scores, certain staff who have been discharged for writing a non-stellar assessment of a game at the time that said game had a full website wrapper purchased on that site for their game. Ya know, stuff. Down on the small-time blogger space, they’re worth a hell of a lot more to you than you are to them, so if you dare to burn the cow you’re milking, don’t expect to get any press access in the future. And of course, they talk, so you might get blacklisted across a few publishers for that.
On the opposite side of the spectrum, there’s the accusation about “the press” engaging in internal “score fixing” and cartel group-think and peer brow-beatings to give some things special promotion, and other things perhaps no mention at all. And maybe those decisions are made for slightly unethical reasons that we can imagine the nature of, from mild to embarrassing to consider.
To argue the validity of the accusations, or the actual scope of how large or small the phenomena is, isn’t the topic I’m after here. Fingers got pointed, fists were shaken, names were leaked, much indignation and acting appalled was in the air. However, guess what? It’s just fucking video games.
Look, it’s give and take. Let’s quote something: ““News is something somebody doesn’t want printed; all else is advertising.” - William Randolph Hearst” Yeah. So, really the “game journalism” business is a pie chart that consists of promotion via previews, criticism via reviews, and revenue via advertising. The trade is that you get access to the developers, access to PR materials, and a slice of their advertising budget coming in - while you deliver eyeballs to their product and keep it interesting. Now that we’re in the generation of crowd funding, this is even more important because the media covering kickstarters is a HUGE driver of awareness for potential funders that they really need. We scratch each others backs in a publicly visible give and take that is generally transparent and understood. Hey, it’s just fucking video games, and we have fun covering it, they have fun making it, and the audience has fun playing it. Groovy. And it’s really quite clear if you pay attention that far more eyeballs are drawn to preview content than reviews. That’s why previews got all the good covers, because you wanted people to pick up the magazine. This is obvious, if a little disappointing to people who really break their asses writing deep and insightful critiques, but hey, it’s just video games.
It’s really only important to us as an audience because we’re quite passionate fans of the product. We’re the computer equivalent of “probably too into it” comic book nerds. (Some are both, right.) It’s entertainment, end to end. This isn’t saving lives, feeding the homeless, curing disease, or saving the whales. It’s just a highly interesting way that we piss away hundreds of hours, have a good time, and socialize with like-minded individuals in communities like this one. Good times.
So, in consideration of the above triviality of the “meaning of it all”, why is the internet having a full tilt riot about the politics of journalism ethics in this hobby-inside-a-hobby of media? Is it because our audience is a bunch of howling trolls, crusaders for integrity, or maybe just ludicrously fanatical about holding onto illusions of how grand and important this whole entertainment merry-go-round is? What inspires such a vigorous and, in a great surprise to me, sustained outburst? I’m not talking about the 4chan drama factory munchkins, I mean the rational and intelligent, moderate tempered people who are suddenly super goddamn offended and very verbal about their disappointment at this “revelation” playing out.
continued…