By all means, I want to know if anybody else hated it as much as I did.
No hate for it here… I found it pretty fascinating and extremely well-made (technical sense).
It is Obsession so MrTibbs it is.
Frames to come!
Genevieve, the angel - 40
60 - Moving right along … nothing to see here
80 - Hard to see clearly what is going on (but does not look good), I guess this is a spoiler?
De Palma’s goes too far into Hitchcock-fandom? Love Lithgow’s hair in this (see 20 frame)
Okay, QT3 here’s a new 20:20 (apologies for the poor quality).
https://i.imgur.com/YbDH6AH.png
I can get on board with this look!
Ossessione? I do love me some Visconti. I took a nap and my archnemesis Brian DePalma happened (sorry, @matttutor).
You have a great eye, and judging from your previous posts, it’s clear you’re very familiar with his oeuvre! A powerful piece of Italian neorealism from one of the great directors of the 20th century. :)
40:40
60:60
80:80
100:100
120:120
Driving Miss. Daisy?
Dang, I was sure that was right. I mean, how many movies with cars in n them could there be?
How about Rushmore?
Incorrextracurricularactivities!
Great detail in that shot. Pretty sure I’m wrong here, but the period (70’s?) composition (Lumet?) and actor (Pacino?) suggest Serpico, though I don’t think there are any scenes in Serpico that are this well-lit.
I agree with the period and sure looks like a NYC locale. I’ll guess The Friends of Eddie Coyle
IncorreLumet!
Not the maker of Liberal issue-du-jour films in New York City locations. :) Who @Jason_Levine will never forgive for The Verdict (which was in Boston…but he had to have Newman take a trip to NYC, because…Lumet).
I’m pretty sure you nailed it. Well done.
Boston, Jason. Boston.
This is one of the best Trailers I have ever seen, I had to add it as well:
The Roger Maris (61^):
What’d you get for me?"
“Bread.”
The 1hr21min20sec:
“Wanda, are you comin’?”
The Two Centuries:
Badass Dave Grusin soundtrack plays.
“Greatest hockey player in the world. Number 4, Bobby Orr, @Jason_Levine!”
Oh, yeah, it was Beantown, wasn’t it? Very young Richard Jordan in that film. I expected him to become a bigger star than he did, although I liked his turn in The Hunt for Red October. I’ll try to get something up this evening Central Time.
