I’m worried.
I really like the main characters (Dexter, Rita, Debra, and Rudy; plus the flashbacks with Harry and the young Dexters). They’ve got really strong actors, particularly when they’re working with each other. Although it’s pretty amazing how well Michael Hall can just hold the camera. I didn’t watch much Six Feet Under, but he’s got serious presence. Consider how much of the show is just shots of his face being supposedly impassive. Great job, Michael C. Hall!
But whenever the show veers off to try to make me care about Angel, Doakes, or Laguardia, my eyes kind of glaze over. It’s partly because none of those actors are strong enough to hold my attention, but mainly because they just feel so peripheral to the core of the series. It’s a story about a serial killer, and bland cop shenanigans don’t have any place here. Every time it cuts to something about Laguardia’s career, or Angel’s marriage, or Doakes being attracted to Debra, it bogs down. The show is called Dexter, not Dexter and Friends.
It’s also not nearly as dark as it could be, or even as dark as it seemed like it was going to be early on. They go to such great pains to villify everyone Dexter kills, almost to the point of caricature. I want more ambiguous moments like when the coyote and his wife say they love each other before Dexter kills them, or the subplot with the young serial killer who commits suicide. Did Dexter ever consider killing the child witness to protect himself? Now that he’s an adult, does he struggle with wanting to kill people for petty reasons, like he did the bully when he was a child? And how come we can’t see him while he’s working? In one of the early episodes, there was a great sequence when Rita calls him while he’s cutting someone up. C’mon, Showtime, don’t get coy on us after we’ve come this far!
I’m worried they’re going to saccharine Dexter up too much, making him love kids, develop a healthy sexual relationship with Rita, and learning more constructive ways to deal with problems like Rita’s ex, Paul. Is this the portrait of the serial killer as a young man, or is it a dueling serial killer tale (Dexter and Rudy’s cat-and-mouse), or – and this is my concern – a comfortably successful series that gets too squeamish to sustain a truly dark serial killer as its main character?
Anyway, I am hooked, and I’m really liking it. But I’m bracing myself to be disappointed before long.
-Tom