On the darkwave/post-punk front, in addition to the House of Harm EP, new Handful of Snowdrops also drops tomorrow. They’ve been around for like 30 years, though always a bit obscure.
This almost makes me want to go back and reconsider the middle third of the New Pornographers discography which I have previously written off as utter dreck. ;)
Never heard of Handful of Snowdrops…not bad. I’m being dragged to the VNV Nation show (mildly against my will) in a couple of weeks, and this reminds me of them a bit.
Ob. new song…enjoying this band Launder, despite the dodgy name. It’s members of DIIV and Day Wave doing a sort of Radio Dept. type of thing.
Coincidentally VNV’s new album is named Noire, while Snowdrops is Noir. Snowdrops remind me more of Clan of Xymox. VNV put on a decent show, a bit too much much crowd interaction for my taste though. Holygram, one of the openers, were pretty good IMO and worth checking out. The other opener is missable, wish it was still De/Vision on the tour as the third band but ah well.
Xymox live is excellent. I’ve seen them twice now, and they were terrific both time even though I only have a passing familiarity with anything past the 4AD years. I’m sure I’ll get taken along to a HoS show in the future…comes with dating an ex-goth.
On that 30 years old obscure bands front, I’m off to the Curtain Society 30th anniversary show tonight. In addition to their stuff they’ve played as the backing band for Jim Carroll,Mark Burgess (the Chameleons) and Shana Morrison.
Spent all day listening to the new version of Give Out But Don’t Give Up, which has the original Tom Dowd/Jim Dickenson mixes from the Memphis recordings at Ardent studios in Memphis.
There are a lot of high points to it, even if as a record it’s still super uneven. (If anything, the new mixes accentuate the weakness of some of the material here.) Definitely worth hearing, and definitely takes a record that felt like a baffling misstep when it first came out and turns it into something where you can sort of figure out what the artistic intent was all along. And when it hits well, a song like “I’m Gonna Cry Myself Blind” becomes pretty transcendent as presented.
It also puts some much-needed context onto their brilliant follow-up records, Vanishing Point and XTRMNTR, and is totally worth hearing.
Oh, and if you fancy, here’s an hourlong BBC4 documentary on the Original Memphis Recordings with plenty of Bobby Gillespie, Alan McGee, and a soupcon of Noel Gallagher, Tom Dowd, etc.